30. July 2010 · Comments Off on Writing the Past · Categories: Uncategorized · Tags: ,

The Book Table

In January, 2007 I had just launched into the first book about the German settlements in the Texas Hill Country – a project which almost immediately came close to overflowing the constraint that I had originally visualized, of about twenty chapters of about 6,500 words each. Of course I blogged about what I had described as “my current obsession, which is growing by leaps and bounds.” A reader suggested that “if I was going for two books, might as well make it three, since savy readers expected a trilogy anyway.” And another long-time reader Andrew Brooks suggested at about the same time “Rather then bemoan two novels of the Germans in the Texas hill country, let them rip and just think of it as The Chronicles of Barsetshire, but with cypress trees!” and someone else amended that to “Cypress trees and lots of side-arms” and so there it was, a nice little marketing tag-line to sum up a family saga on the Texas frontier. I’ve been eternally grateful for Andrew’s suggestion ever since, but I have just now come around to thinking he was more right than he knew at the time. Because when I finally worked up the last book of the trilogy, it all came out to something like 490,000 words – and might have been longer still if I hadn’t kept myself from wandering down along the back-stories of various minor characters. Well, and then when I had finished the Trilogy, and was contemplating ideas for the next book project,  I came up with the idea of another trilogy, each a complete and separate story, no need to have read everything else and in a certain order to make sense of it all. The new trilogy, or rather a loosely linked cycle, would pick up the stories of some of those characters from the Trilogy – those characters who as they developed a substantial back-story almost demanded to be the star of their own show, rather than an incidental walk-on in someone elses’.

I never particularly wanted to write a single-character series; that seemed kind of boring to me. People develop, they have an adventure or a romance, they mature – and it’s hard to write them into an endless series of adventures, as if they stay the same and only the adventure changes. And I certainly didn’t want to write one enormous and lengthy adventure broken up into comfortably volume-sized segments. Frankly, I’ve always been rather resentful of that kind of book: I’d prefer that each volume of a saga stand on its own, and not make the reader buy two or three books more just to get a handle on what is going on.

So, launched upon two of the next project – when I got bored with one, or couldn’t think of a way to hustle the story and the characters along, I’d scribble away on the other, and post some of the resulting chapters here and on the other blog. But it wasn’t until the OS blogger Procopius remarked “I like that you let us see the goings on of so many branches of the same family through your writings. The frontier offers a rich spring of fascinating stories!” This was also the same OS blogger who had wondered wistfully, after completing reading “The Harvesting” about young Willi Richter’s life and eventual fate among the Comanche, first as a white captive and then as a full member of the band. And at that point, I did realized that yes, I was writing a frontier Barsetshire, and perhaps not quite as closely linked as Anthony Trollop’s series of novels, , but something rather more like Angela Thirkell’s visualization of a time and place, of many linked locations, yet separate characters and stories  . Yes, that is a better description of how my books are developing – not as a straight narrative with a few branches, but as an intricate network of friends, kin and casual acquaintances, all going their own ways, each story standing by itself, with now and again a casual pass-through by a character from another narration. And it’s starting again with the latest book, I’ll have you know – I have a minor character developing, a grimy London street urchin, transplanted to Texas, where he becomes a working cowboy, later a champion stunt-performer in Wild West Shows . . .  and eventually, he is reinvented in the early 20th century as a silent movie serial star. The potential for yet one more twig branching out into another fascinating story is always present, when my imagination gets really rolling along.

So – yes. Barsetshire with cypress trees and lots of side-arms, Barsetshire on the American frontier as the occasionally wild west was settled and tamed, a tough and gritty Barsetshire, of buffalo grass and big sky, of pioneers and Rangers, of cattle drives and war with the Comanche, war with the Union, with Mexico and with each other. This is going to be so great. I will have so much fun  . . .  and so will my readers.

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